stal is one alias from wj henze., he has been producing seminal, groundbreaking tracks for the last few years now. he has his white tuna imprint where he records under the artist name - stal. here we have the brand new wjh 2 tracker under this moniker with the a side – southern hemisphere recieving big support .- the track itself is an wjh journey that starts with the intro cleverly builds with immense drum edits and a funky synth bassline teasingly building towards the peak drop before all hell breaks loose during and after the break. the reaction on dancefloors has to be seen to be believed with this one. this will be a limited edition so be sure to order early!!

as hard as it might be to believe, there was a time when the word trance did not mean dutch guys dressed in white wearing oakleys.. it also didn t mean israeli pre-military dragon-stick wielding reefer addicts.. actually, there was a glorious era where trance was a verb rather than a noun.. im talking about when you got in a trance, at lets say for example: the golden eagle in munich in 81, in a white-tiled sauna-motif discotec, grooving to a 17 minute reel-to reel version of knights in white satin on your 2nd bottle of poppers while some guy named >wolfie< takes his modern ballet skills to the >next level<. if that sounds appealing.. and i know it does.. then allow me to introduce you to compuphonic and kolombo.. a throwback to the days of romance-trance of the highest order. deep, sensual (yes, i used the word sensual) electronic grooves so potent that we were forced by a coalition of competitors labels to only release some of them digitally to restrict their awesome power to trip people out. these tracks make other tracks seem like mindless shallow shit. that includes some of turbos other releases.

>dark side of the moon< follow up, but? the wait is over, the boys have returned!! remixes are from the likes of german electro trance meister wippenberg, house big boy jerry ropero, canadian maestro dj dlg and of course ernesto and bastian their selves also provided some mixes. vocal support comes from the famous jamaican reggae singerjahmark, for the ones who are wondering where the boys found this raggaman-stylee voice.. >> on support are already armin van buuren, above & beyond and marco v!

who needs an obtrusively acting kickdrum, when the decent wobbling bassline of breezin does the job just as good. right nobody. or, at least peter grummich (shitkatapult/ spectral/kompakt) doesnt, whose proverbial deepness constantly gets the floors into rapturous body rolling. thus it was just a question of time to welcome this man to karloff, the label for everything thats different. here, all medium dated orientation to felt (rather than experienced) standards is gladly left to other persons of great hope, whilst enjoying the border crossing between dorky monkeyshine and serious spirit of adventure. consequently, quick thinking misbehaviour is also the attitude of the (for formal reasons called) b side, where the horizon gets canvassed for both weird and life affirming sounds, in grasp of the groove. summarizing dance music to breathe deeply.

dub-techno, afrikanische percussions & moderne grime einflüsse mischen sich hier intelligent zusammen

they say patience is a virtue, and neil has certainly bided his time well, but this exquisite release indicates that as neil wisely chooses his production partners and collaborators, we can expect plenty more where this has come from. neils always been one to favour quality over quantity, but just hold on and there will be more superbly crafted slices of electronic soul around the corner, we promise.

it was 1883 when the krakatoa vulcano erupted and generated the loudest sound historically reported. about 120 years later, in 2002, the project krakatoa was born, generated by the underground enthusiasms living in the city of turin,aiming to contemporary electronic sound esploration with a special appeal for clubbing. krakatoa was originally established as a cult underground party based at the beach club in turin, where every thursday more than a thousand youngsters use to meet at the feet of the dj booth where the two founding fathers, dj pisti and samuel, regularly perform. they are often supported by special guests such as josh wink

incl phat marlose remix !! moolono.bass is known as a part of the legendary kombinat 100 quartett and also label head of the fresh founded acker records where he has released his debut ep >linstow e.p.< at the end of 2006. in the past he did a successful remix for marlose s >hey na ep< on ostwind records 04. now he is back on the front and we are happy to present his own debut ep on ostwind. like his productions with kombinat 100, mollono.bass combines warm grooving and driven drum sets with dubby, harmonic and emotional elements to tell the crowd special moments. after his debut ep >hey na< (played by gesine pertenbreiter for example) and the great minikosmonauten remix to kombinat 100, marlose is also back on the front with his eupho-riemix, where he take >endless summer< in a more floor and ear candy orientated minimal version in his familiar pumpin style !!!

return of the cocoon-proof techno don! some phat business from jaceks underwater lab - yet another exercise in his very own concept of combining minimal groove with maximal sound spectrum. and it works: solid mid-tempo rhythm carries what seems to be a thousand of layers of sound. meaty, bouncing bass stabs intertwine with washes of synthetic melodies, while percussion drops and unidentified samples swirl around in this bio-robotic monster of a tune. >green river< takes jaceks minimal obsession into cold outer space, where you can hear the planets spin and the only hope seems to be coming from a dying communication device... cold, stark and haunting, this is either work of a madman or truly the future now

dave dk has been buried in his studio the last couple of months fine tuning his debut album lights and colours for moodmusic. its almost ready and here we have the first single coming on strong from this talented producer. sweet yellow takes on where he left with okinawa dance on mood limited and midi rain on playhouse slow building, complex grooves keeping the floor nailed from the first moment on, building an anthem with strong synthlines and his trademark sounddesign of effects and percussion. prism is more housier in the beetz department, while building on vocal snippets and chugging keys keeping the tension on high alert. taking the best of the past and combining it with futuristic themes we are sure dave will be up for big things in the future

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed of house star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did an amazing job on the remix, that rocked almost every party at miamis winter music conference

jean f. cochois is the timewriter and arrived at the top ten years ago. since then he has developed and fine grinding his productions so that press, media and audiences agree on the fact that he is a master at his arts: spinning at the most famous venues all over the globe, holding a residency at sven väths cocoon club, remixes for mike oldfield, faithless, yello, boy george, rammstein and many more…everything done? he doesnt think so and presents his 5th album >soulstickers< which will be attached close to the listeners souls for sure because thats the place where they came into existence! straight from the introduction which is >resetting the clocks< the timewriter is creating intensive and emotional songs and takes you on a trip through his sonic world of pleasure

first release on the brand new motion music label by giom from french production duo bobby & klein. includes a kinky movement remix on people. perfect first release to start this new label. something for fans of amenti, tango, fetish etc

brommage dub is jesper dahlbäck and jean louis huhta.the two has recorded music together under this pseudonym since the mid 90s when the first releases came out on svek. in fact this year would be a perfect 10 year anniversary for this duo. this is the first release on their own imprint bromma, which is a part of stockholm 5 km west of the city. this was the home for jean louis during the early years of their produciton phase and which gave the duo their name. carbon oxide is a gas which was produced in the factory where jean louis huhtas studio now resides

adam beyers mad eye imprint has been the quietest of his 3 in terms of its output over the last few years but it has by no means made he least impact. the 5 releases so far have had massive dj support from across the techno scene with the last release being played by a huge cross section of djs. this time adam has really turned on the style with these 2 tracks with the a side china girl being a funky killer with its grooving bassline and drum groove immediately bringing you in before the addictive wooden block melody and warped edits creating an addictive intensity that put simply - just works. hear it on a system and see the dancefloor react and youll see where were coming from

3 fresh minimal-vovo-techno trax !! amsterdam assholes is a collaboration between wouter hisschemoller and sandrien. they met on the amsterdam local dance radio station radio activity/danzolectro where wouter is one of the hosts and sandrien played a dj s

represent son! those arrows know exactly where your hands need to be.(blue glow-in-the-dark)

around and round they glow… where they stop, somebody knows, but he s too busy spinning records.(blue glow-in-the-dark)

all tracks on arti farti have been tested out the last 6 months by our local heroes, and have been proven to work in many a club:-) a: yesteryear: this one is rough. combining modern tech house with some old school >funky< rythms, and catchy keyboard riff, this one has blown up floors for me for a long time. its full of details, and has that eiry >ive heard this track before< feel to it. a massive hit in copenhagen allready, i hope itl be one for you too. full support from a bunch of big djs b: out run in: as the title suggests, this is yet another return to the olden days. i love records like computer madness, but they absolutely sound like crap next too newer releases. this is my tribute to the days where a 808 and a 101 were enough to creat magic hope you like the stuff, and remember. stay on the scene, like a fax machine!!

part three in the hoowwwwwse !!! deconstructed, dirtied up and reassembled modern house throw downs from mr chris duckenfield (swag) these four cuts carry on where his previous two bestselling eps left off, combining elements from all corners of the musical spectrum.

while the original, more loungey album version was released a few weeks back, and forthcoming from anandas new album fire flower, in comes ricanstruction master remixer frankie feliciano to reinterpret the tune & give it a light pump & lovely synth undert

back after a year of grueling production schedules, the tag team duo of peter funk & kevin yost drop the fourth installment in thebeatkilla series. the release of their 2006 album drew critical acclaim as some of the most innovative house music ever and now in2007 this double a side ep picks up right where they left off.first this ep features a techy groove driven explosive track entitled not long ago. its fierce synth work is only matched by its hypnotizing rhythm. a must for lovers of the beatkilla releases. this release also features the grunt, a combination of patented big sexy electronics and some scat based vox

finest dubby deep techno trax !! for two years the doors were open monthly at grubenstrasse 28 in zurich. and what a two years it was! musicians from afar were joining a frolicsome party crowd of 300, all done in an intimate maze-like setting where the largest value was put on atmosphere and hospitality - just perfect. problems with the neighbourhood forced us to close down this last jewel of zurichs alternative nightlife

elle a is a beautiful swedish songwriter, singer and model. discovered by ocean trax producer blake on myspace, where she runs her page with more than 3000 friends, she is rapidally becoming an european club star. not sure? the first single of jet set was originally out only digitally on eclectic records and entered the electrohouse download chart in couple of days, the acapella is going to be used for a mash-up with great stuff hit track first stroke by swen weber, and here you have two master remix by audio unit (aka gianni bini and blake). need some more?

the dose coming straight at the bricks of your houseparty with their fourth release on fumakilla: >im your door<. impressions of street-life in berlin city, where what matters is the size of your free will. where nobody has to do anything and where everybody can do everything. a1:„>im your door< is a track to be played at prime-time. tight and compact. a combination of a flat humor and deep meaning which leads to a good mood. b1: >penny jenny<: a story about the risks of the city. a girl whos life was ruined by pony posters and polished fingernails. b2: >come cool<: a screenshot of a monday morning. around the street lights and a girl to catch. articulated in a form the english language hasnt heard before. its up to you. stay where you are or move out to test the borders of perception. knock upon a door. it can only be the beginning of something or the return for good

rush hour limited presents san propers adam family series. this is a series where he teams up with well known and lesser known producers from amsterdam. on this four part he collaborates with one of amsterdams busiest djs, o.boogie, check the results! a deep slamming 12 inch

the full package from >a place called nowhere< with 14 sure rockin harder techno tunes by michael burkat & lars klein

cynic returns with a great 12inch of disco tastic madness. the grooves are loose, the riffs low slung and the beats punchy. just the kind of stuff we re used to hear from the cynic stable. proper bomb. this e.p features three hot tracks in a tribute to the sundance kid, the a side the sundance kid, comes complete with galloping horses, rattlesnakes and gunshots this track is the wild west meets the mirror ball. the first track on the b side westbound 23, is named after the first train robbery that the sundance kid committed in his early years before he joined the wild bunch, the blaze of glory that finishes the e.p. is a reference to the well documented last stand, where butch cassidy and the sundance kid were surrounded by the bolivian army

das aufstrebende label loeb wird immer besser. gute labelarbeit macht sich halt bemerkbar! toll

played by: ricardo villalobos, loco dice, gregor tresher, karotte, good groove, emerson ++++++ karton schallplatten is the new label of thomas p. heckmann & andreas kauffelt. in 2006 they started their project >heckmann & kauffelt< on thomas a.f.u. ltd label. their first coloboration track >kookaburra< became the underground summerhit of 2006 and was supported by a lot of djs like ricardo villalobos etc... latest release >espectaculo/stylophonics< right now rocking the dancfloors worldwide and is supported by dj hell, karotte etc. etc. >espectaculo< is a big hit in south america & spain because of the « kraftwerk » styled vocals where the crowd is chanting >uno, dos, tres, quatro, espectaculo< with their new label karton they continue there successful coloboration. >sommersause< is a summer anthem sure to be heard on all open air events worldwide. >affenstall< is a typical but new >kokaburra style< heckmann & kauffelt track to rock the dancefloors worldwide.

goodlife, gigolo, hot banana or turbo are just four of the countless labels, where kiko has released some of his most eclectic productions. now it’s time for him to rock huntemann’s confused label. his sound is always trenched with electro, ebm and intergalactic disco elements - a certain ratio of retro. faces of life is no exception from this rule. saw-tooth basses a raw drumming and spaced out melodies pave the way for this rave club weapon from the outer rim of uranus. galaxia is another example for his approach towards electronic dance music – comparable to the dutch legend legowelt he simply knows about the analogue sound world. this is a big rock band shrivelled into a moog space ship

support by alexi delano, gregor tresher, monika kruse, tony rohr, holgi star, tim xavier, afrilounge, and many more.. shokh is back again. like mr. jekyll-and-hyde he presents us two floor bombs on the brand new imprint rompecabeza music. on one side the playful “snuka”, which you can brand as pure techno funk, on the other side “mr. piper”, which packs an enormous saw tooth and where mr. shokh decides to take you on a loopy journey. the berlin based booking agency rompecabeza will surely supply more big tunes on its new in-house label in the near future. rompecabeza = rambazamba

forteba was born and raised in hungary where he chooses the occupation of an electronic music producer at the age of eighteen. his early compositions were settled near breakbeat and chill-out area but he soon found his passion in straight rhythms and arrangements inspired by german deep-house stuff. he likes to embed various elements of dub and ambient into straight clear rhythms, so his borders of style are hard to define. he produced some successful singles in his home country as >the garage< together with gábor pasztoriális and got released at hungary-based underground labels……

we come accross suffocating moments, sick jazz in a minimalistic key, sparks of extreme, evolutive, interlaced intensity that eventually create futurisms and bring them close to the listener. intensity, restlessness, hypnosis and vibration could define this first tupperwear release in klitekture. this ep extracted from their album >beton insel< is, most of all, a true surprise box, as you will not be able to predict by which roads will the following twist in this permanently progressing and changing evolution, theres where a very significant part of its assets and its own goal reside. complexly and simply brutal. this ep edition released on vinyl contains a remix crated by lod from gas usa, a debilitating declaration of intentions by tupperwear that under lods concept aquires a smother tone than the original going from the tupperwear demolish actitude to a more repetitive structures

accapellas from the good old times feat the marvelettes, the supremes, smokey robinson & the miracles and the four tops

dj support: karotte, josh wink, john selway, jeff samuel, chloe, laurent garnier, sebastien leger, sian (pokerflat), simon baker (infant).... just as klaus kinski once saw the jungle, minilogue see their sound as a multifaceted and highly fecund place whose nevertheless existing and complex matrix does not show itself in any apparent order. two new tracks on wir make their way through tight, slippy and steeply ascending paths, working to see the daylight in the befogged territory of the peruvian rain forest, or they ride on rapid amazonian rivers looking for el dorado, while unknown dangers lurk behind. bushwacking beats slap through the thicket, wandering on the trails of ancient cultures, not fearing any frazzle. minilogues trademark sound already overgrows the dance-floor, wriggles over sweaty walls, into the corners and beneath the turntables, and theres quite a chance to lose oneself in that labyrinth when not paying attention to where the exit once was

beach is the perfect early morning track with dreamlike sounds. an amazing deep techhouse piece for a dancefloor and living room alike. underwater is a shuffle tech track and its sounds go deep underwater where the sun cant be seen anymore.this groovy one is sure to shake many dancefloors in the middle of the night. on the flip fusiphorm strip things down to basics in best minimal tradition

carrying on from where her triumphant border community 12inch, >barcelona<, left off, this release showcases the perfect balance of melody and minimalism in techno that barbara displays in her consistently excellent dj sets the world over

only unreleased new tracks from dj deeon and slugo....though he s revered among chicago djs and around the world as the original master of ghetto dance music, deeon started small, on chicagos south side. he sold his dj mixtapes in the parking lot where he lived, and played house parties in the projects. these crowded living room parties started the feeling and inspiration for the sound deeon produced, music he simply refers to as, >for the strippers, for the street<. while tracks like >accelerate< on dance mania were doing well overseas, he was getting little support or play from local chicago clubs. deeon calls ghetto house the >stepchild of chicago house<. eventually the incredible response from his music forced the clubs to concede and play his records. these >techno with a ghetto edge< tracks have found way to the decks in clubs around the world. deeon found his home on chicagos own dance mania label, where he released hits like >let me bang<, >who you wit<, >da dick suck< and >the freaks<. deeon is currently signed to databass records, which is rereleasing most of his back catalog with new remixes!

no, only in sweden definitely illustrates markus enochsons new journey in sound. no, only in sweden is aimed straight for peak time. more techy than markus previous productions, it is a killer house tune with stunning key stabs that build up to a climaxing riff. markus also decided to invite newcomer the subliminal kid to share a slice of this great 12. already hammered by gilles peterson and quoted as his kind of house music, the chord song is an instant classic that could be representing the new wave of house music where boundaries between house and techno are thin and the feel is definitely old school. huge tip !!!

lerosa is dublin-based italian producer leopoldo rosa. the title track ruski combines a rough-cut sampled break with a loose, minimal arrangement of sub-bass and liquid synth pads. on the flip, russell and tempio are deep, moody house explorations, beautifully suspended by shifting sine wave pads and rhodes-like chords. born in rome, leo developed a love of electronic music through italian pop music of the 1980s, before discovering hip hop and acid house. he began djing in the early 90s and in 1995 moved to dublin where he got heavily into darker, deeper electronica and electro by the likes of autechre, drexciya and the extended detroit-inspired musical underworld. leo began producing his own music in 2000, concentrating initially on electro but broadening his range into unconventional house and techno styles. his debut lerosa release was the ‘maike ep’ on dublin’s d1 recordings in 2005. as well as this real soon release, leo also has a forthcoming 12inch on enclave recordings (ireland)

kaskade recently did some massive remixes of david morales here i am and pussycat dolls dont cha. kaskade is a special breed ofhouse star, one who has increased in popularity over the past few years in an industry where most of the major players have at least a decade (often two) of stardom behind them. sorry is taken from kaskades third album love mysterious. though his trademark melodies, sensual vocalists, and emotionally driven sound remains intact, love mysterious is a bolder production and reflective of kaskade s growing acclaim and popularity worldwide. man of the moment dirty south did and amazing job on the remix, that rocked almost every party at miamis winter music conference

007 sees the launch of the more about music label, releasing the hottest new music across a variety of styles, from house to hip hop via broken beat and other underground sounds. sheffield based small arms fiya are producers scott monkz moncrieff and tom toddla bell. their style is a fusion of hip hop, soul, dancehall, broken beat, uk garage and detroit techno influences, which creates an innovative and original sound. pressure drops in with beats reminiscent of james yancey dilla, with ayahs soulful delivery adding the finishing touch to a track that will keep ya warm till summertime. on the flip you ll find gotta decide, where ayah glides through an electronic p funk bomb, destined to detonate any dance floor. whilst broken beat maestro domu adds a slice of 1980s disco boogie dust for full effect

marc o tool is back on the block with a new double strike. marco delivers two oppositional tracks, both made for turning dancefloors into freaky places. >twister< again shows his affinity to harmonies, driving basslines and warm pads, where as >extra medium< takes us to a darker and more technoid place

henrik schwarz is now back from where he started in 2002 with the supravision ep (mood-016), and we are happy to have him onboard again. walk music came to life some years ago on one of henriks amazing liveshows and as with all good things, it was worth the wait! walk music is a deep, mesmerizing excursion into his soul-funk-disco roots with a mysterious vocal line chugging into your mind while the driving beat and bass keeps your butt moving – pure funk we say. some added strings and an exceptionally suprising arrangement make this another classic henrik schwarz journey.

carnage is back with an amazing 5 tracker ep, troll and michael random from st.-petersburg/russia (fat-tm records) know to work powerful with their tools, and they are always remember where is the holy devil inside! huge stomping hard techno underground monsters! that´s a lot of powder for the bugs, definitely not for pussys. dj support by greg notill, andreas kremer, o.b.i., leo laker, mario ranieri

incl ultrahot minimal acidic lazy fat people remix

2 dark tribal cuts on the label where tribal started once

after the smashing >treat me bad ep<, agnes is coming back home with a four tracker on minibar. the swiss groove seeker comes here with a few older tracks. four tracks on which mr. cabanne got a grip once at agnès’ home sweet home, listening to older works. all cuts where produced between 2003 and 2005. the ep is groovy, reducedly sweet and incredibly deep.